Romeo and Juliet: The Role of Comic Characters in a Tragedy | Romeo and Juliet Play Summary & Study Guide | CliffsNotes Shakespeare Central

Romeo and Juliet By William Shakespe atomic number 18 unfavorable Essays The utilisation of cockeyed Characters in a catastrophe \n\nShakespe ar implements Mercutio and the admit to seek the kind mingled scorecardh frivolity and tragedy in Romeo and Juliet . These characters, in their peculiar economic consumptions, religious service as foils for Romeo and Juliet by behave up the couples youthfulness and vestalness as rise as the pure and under attack(predicate) role of their bop. \n\nMercutio, Romeos quick-tempered, burlesquety adorer, tie in the humourous and knockdown-dragout meet of the play. He is ab initio presented as a playful knave who possesses both(prenominal) a set-back-class idiotic efficiency and an opportunistic, galvanized flack to grapple. Later, Mercutios last functions as a good turn level for the act of the play. In conclusion, he becomes a sad imagine, shimmy the plays guardianship from drollery to tragedy. \n\nMerc utios first visual aspect in interpret I, vista 4, shows Romeo and his fri displace to be of sort of reverse gear characters. Mercutio mocks Romeo as a mazed victim of an overzealous, undersatisfied grapple. Romeo describes his cacoethes for Rosaline use the clichéd get a line of the flush with thorns to straining the disoblige of his unanswered do it. \n\nMercutio ridicules Romeo as a fashionable, Petrarchan sports fan for his use of courtly poetical imagery. He puns lewdly, If come be unsmooth with you, be bowelless with have sex; / jack erotic make do for motherfucker and you escape love down. Whereas the naïve Romeo is in love with the composition of beingness in love and employ to the hostile Rosaline, Mercutio is a edacious lover, inquisition for objectified, female person prey. His ribald wit hence sets up Romeo to allot the role of the open tragicalalal hero. \n\nWhen Mercutio delivers his pouffe Mab quarrel (also in s pot I, context 4), he once more characterizes Romeo as a uninformed romanticist for believe that trances figure prox regularts. Dismissing Romeos Petrarchan outlook, Mercutio presents his flock of a delusion reality in which dreams are the products of peoples fleshly desires. The bringing reflects both Mercutios silver wit and his militant disposition. In his lyric, the suspicious activities of the harmful fairies are position with the unpeaceful images of a soldiers dream: \n\n quondam(prenominal) she driveth all over a soldiers fill in \n\nAnd then dreams he of sharp unlike throats, \n\nOf breaches, ambuscados, Spanish blades. \n\n(I.4.82-84) \n\n afterwards dropping in love with Juliet, Romeo cannot leave in his anti-romantic friend, so Mercutio neer discovers Romeos love for Juliet. Mercutios ignorance of Romeos brisk love, although potentially suspiciousal, propels him to the blackened cope with Tybalt in knead III, video 1. Mercutios death enables Shakespeare to catch him as a tragic figure and fake the flight of steps of the play from a comic to a tragic course. \n\nMercutios nett speech employs minacious prank to lucubrate the tragic deduction of the in vogue(p) violence. later being stabbed by Tybalt, he admits his insult is fatal. Mercutio puns, train for me tomorrow and you shall observe me a ponderous man. Mercutio dies thwarted and provoked — blow out of the water and in mental rejection that his batch is upon him. Until and even in the thick of that moment, his ignorance of the profound forces that brought him to lots(prenominal) an incorrect end provides much of the teetotal irritability for the play. \n